Indulge yourself in the whimsical charm of Hayride, and let it transport you to a nostalgic autumn experience. The light, translucent surface of this mesmerizing blown glass pumpkin shimmers and glimmers like sunlight bouncing on golden hay, evoking visions of a crisp fall breeze and the joyous spirit of a hayride. A light iridescent stem with a slight twist completes this pumpkin. Hayride groups especially well with Wild Moss and Autumn.
Available in five sizes, and just like real pumpkins, no two are the same. Each one is unique, with slight variations in color and size.
The look of a piece of glass varies depending on its lighting and surface placement. Take a look at the photos of the pumpkin pairs to see how the pumpkin changes when lit from beneath. The first pair is in a bright space, and the second pair in a darkened space.
Experience this beautiful, illuminated effect on your pumpkins with an LED Light Base. Learn more - click here!
Details
Choice of Sizes:
- Petite - approximately 3.5” diameter
- Small - approximately 4” diameter
- Medium - approximately 4.5” diameter
- Large - approximately 5” diameter
- Extra Large - approximately 5.5” diameter
Measurements do not include the stem. Slight variations in size, design, and color should be expected.
About Lisa Oakley
Lisa Oakley began blowing glass in 1994 when she immediately fell in love with the heat and fluidity of molten glass. She knew that glass was the creative outlet for which she had been searching and went on to build the first hot glass art studio in eastern North Carolina.
Much of Lisa's inspiration comes from the complexity of colors and patterns found in nature. Her work conveys a feeling of organic movement and texture, both visual and tactile.
Her work includes both decorative and functional vases, bowls, platters and ornaments. She is also one of the few American glassblowers making furnace-pulled glass beads, which she then uses to create her own original line of jewelry.
Lisa Oakley's hot glass studio is nestled between a forest and group of buildings housing both glassblowers and potters on the grounds of Cedar Creek Gallery in Creedmoor, North Carolina. Her parents, Sid and Pat Oakley, both potters, started the gallery with their own work in 1968. Over the last fifty-three years it has grown to support more than ten resident artists and over 250 regional and national craftspeople. Lisa splits her time between blowing glass and operating the gallery.