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Satin Cornucopia


Embodying the timeless essence of the fall season, this remarkable blown glass pumpkin showcases a traditional color palette that pays homage to the bountiful harvest. Its sandblasted satin finish is beautifully adorned with delicate flecks of gold and brown, serving as a visual testament to the abundance and richness of the season. Oriented on its side this pumpkin is complimented with a curled stem. It creates a striking display with Autumn Equinox and Swirling Leaves, or Autumn and Wild Moss.

Available in two sizes, and just like real pumpkins, no two are the same. Each one is unique, with slight variations in color and size.

Choice of Sizes:

  • Petite - approximately 3.5” diameter
  • Medium - approximately 4.5” diameter

The look of a piece of glass varies depending on its lighting and surface placement. Take a look at the photos of the pumpkin pairs to see how the pumpkin changes when lit from beneath.

Experience this beautiful, illuminated effect on your pumpkins with an LED Light Base. Learn more - click here!


Choice of Sizes:

  • Petite - approximately 3.5” diameter
  • Medium - approximately 4.5” diameter

Measurements do not include the stem. Slight variations in size, design, and color should be expected.

About Lisa Oakley

Lisa Oakley began blowing glass in 1994 when she immediately fell in love with the heat and fluidity of molten glass. She knew that glass was the creative outlet for which she had been searching and went on to build the first hot glass art studio in eastern North Carolina.

Much of Lisa's inspiration comes from the complexity of colors and patterns found in nature. Her work conveys a feeling of organic movement and texture, both visual and tactile.

Her work includes both decorative and functional vases, bowls, platters and ornaments. She is also one of the few American glassblowers making furnace-pulled glass beads, which she then uses to create her own original line of jewelry.

Lisa Oakley's hot glass studio is nestled between a forest and group of buildings housing both glassblowers and potters on the grounds of Cedar Creek Gallery in Creedmoor, North Carolina. Her parents, Sid and Pat Oakley, both potters, started the gallery with their own work in 1968. Over the last fifty-three years it has grown to support more than ten resident artists and over 250 regional and national craftspeople. Lisa splits her time between blowing glass and operating the gallery.