Creamsicle features a delightful blend of vibrant orange and delicate alabaster hues, reminiscent of the classic treat it’s named after. Its matte finish softens the colors, giving the pumpkin a refined and modern look. This pumpkin captures the essence of fall while evoking the sweet nostalgia of summer treats. Whether placed as a centerpiece on your dining table, adorning your mantel, or accenting your favorite shelf, Creamsicle will elevate your décor with its timeless beauty and sophisticated style.
Suggested grouping: Hocus Pocus, Hallowed Traditions, Orange Blossom, and Wisteria.
Or for a different look, try this grouping: Snowdrift and Whiskey.
Available in five sizes, and just like real pumpkins, no two are the same. Each one is unique, with slight variations in color and size.
| Pumpkin Size |
Approximate Diameter |
| Petite |
3.5" |
| Small |
4" |
| Medium |
4.5" |
| Large |
5" |
| Extra Large |
5.5" |
Hand-blown glass varies depending on its lighting and surface placement. Take a look at the photo of the pumpkin pair to see how the pumpkin changes when lit from beneath.
Illuminate your pumpkins with an LED Light Base for a beautiful effect.
Lisa Oakley's pumpkins are available in a variety of sizes. Use this guide to find an LED Light Base that is the best fit for the pumpkin sizes you choose:
|
Pumpkin Size |
Light Base Size |
| Petite | Small |
| Small & Medium |
Medium |
| Large & Extra Large |
Large |
Learn more about the LED Light Base- click here!
Details
Choice of Sizes:
- Petite - about 3.5” diameter
- Small - about 4” diameter
- Medium - about 4.5" diameter
- Large - about 5” diameter
- Extra Large - about 5.5" diameter
Measurements do not include the stem. Slight variations in size, design, and color should be expected.
About Lisa Oakley
Lisa, the daughter of Sid and Pat Oakley began blowing glass in 1994. She went on to build the first hot glass art studio in eastern North Carolina.
Lisa's hot glass studio is nestled in a natural setting on the grounds of Cedar Creek Gallery. Her parents, Sid and Pat Oakley, both potters, started the gallery in 1968. Over the last fifty-five years, it has grown to support several resident artists and over 200 regional and national craftspeople.