Hsin-Chuen Lin
California

Porcelain
Functional
6.25"w x 5.5"l x 4.5"h

About the Artist
Hsin-Chuen Lin, a Taiwanese-born ceramicist, holds a Master of Fine Art degree from the University of Iowa. He relocated to California in 1991 and currently teaches at various community and arts centers. In April 2010, Lin commenced uploading his inaugural pottery tutorial video, which has since amassed over 850 videos, earning him the moniker “The Master Pottery Teacher” on YouTube. Clay has been Lin’s enduring passion for over four decades. His artistic inspiration draws from the early Chinese Shan and Zhou dynasty bronzes, as well as the elegant pottery of the Song dynasty. Additionally, he has been influenced by the American contemporary ceramics movement’s emphasis on the liberated and spontaneous creation of pottery. Lin’s vessels undergo a multi-step process, involving initial throwing, subsequent tearing, punching, squeezing, chattering decoration, and final firing techniques such as raku, gas, and wood fire, tailored to express his desired artistic vision.
Lin’s work has been exhibited nationally and internationally, garnering numerous accolades. His creations have been featured in publications and collections worldwide, including those of museums and private collectors.

Artist Statement
My work has been strongly influenced by traditional vessel forms, particularly early Chinese objects. Bronzes from the Shang and Zhou periods, along with pottery from the Sung dynasty, have provided me with several thousand years of cultural resources to draw from. The freedom and spontaneity of making pots—something I learned from American contemporary ceramics—has also broadened my perspective. I enjoy integrating these cultural influences into my work through contemporary concepts and techniques.

Most of my pots are made on a potter’s wheel. After the pieces are formed, they are pinched, punched, torn, or squeezed. I like the organic look of these clay forms. Spraying glaze and firing in reduction is the process I use most often. I don’t apply many fancy glazes to my work; the dry glaze and reduction firing naturally complement the texture. I prefer to make strong forms that need no embellishment. To me, the forms speak for themselves—and, more importantly, the process of making pots is the most enjoyable part.

*Teapots that are purchased will remain on display in the gallery for the duration of the exhibition, through September 14, 2026. 
After the show closes, teapots will be carefully packed and shipped by September 28, or they may be picked up at the gallery.